Antique Clocks - Longcase (Grandfather Clocks)
Long case clocks or as they are known colloquially, grandfather clocks, were made in many different styles and regional fashions. Our stock of longcases tries to contain examples of these variations which were dependent on the period and location in which the grandfather clock was made. Early longcase cases clocks were often veneered in walnut or marquetry, which could contained many beautifully stained exotic woods. Mahogany became increasing used in the construction of longcase clocks from the 1740's onwards, the cabinetwork of the case evolving with the styles of contemporary furniture. Meanwhile country clock makers would often use indigenous oak for their 30 hour movements as well as their 8 day longcase clocks.

The dials of grandfather clocks also changed through the years with painted dials being introduced in the early 1770's. One aspect of the domestic longcase that changed very little in design strangely enough was the movement. Once the typical longcase mechanism was developed in the 1670's it remained remarkably the same for the next 150 years.

If the our selection longcase/grandfather does not appear to contain a specific type that you are looking for please call as not all the stock is placed on the site and if we do not have an example we can find it for you.
30 hour longcase by a renowned Quaker maker.
longcase clock
John Ogden Darlington.
A simple but impressive early pine case with the original chocholate brown finish. The dial also displays the restraint of a practicing Quaker, carefully executed radial matting in the centre and the absence of spandrels. Circa 1715.
17th century London 30 hour
longcase clock
Thomas Johnson Rattcliff Cross
A London made pine case with the proportions and elegance of the capital. The case is in wonderful condition, the original guilding still evident on the columns. Showing signs of a previous finish, the case has at an early date, been scumbled in order to produce faux bois. Thomas Johnson was a fine maker at times working outside the constraints of the City.
Lancashire longcase Circa 1785.
longcase clock
Monks, Preston.
A fine example of Lancastrian clockwork and cabinetmaking.Solid mahogany with flame veneer on the door and base, decorated with beautifully executed scroll pediment and fluted columns. The dial also betrays favoured features of the region, centre date, moonroller and a thought provoking aphorism; God appointed the moon for seasons.
A local clock made by Sevenoaks maker
longcase clock
John Payne
A good quality eight day movement with a finely engraved sheet silver dial with strike silent hand in the break arch. The case is typically Kentish in design as is the colour and straight grain of the oak. Circa 1780.
Longcase clock
longcase clock
Richard Haughtin
Month duration marquetry longcase signed Richard Haughtin London. 11" dial in floral marquetry and walnut case. Circa 1695.
Dial of longcase clock
longcase clock
Stephen Bridges
Dial of wonderfully original thirty hour longcase clock. The iron framed movement is outstanding as is the single brass hand. Although unsigned the pewter chapter ring has the touch mark of Stephen Bridges London (Cotterell No 572).
Eight Day Scottish Longcase
longcase clock
William Robb, Montrose
Eight day Scottish longcase signed William Robb, Montrose. Circa 1780. Beautiful mahogany case of superb colour and proportions with tulip wood cross-habanding and satin wood inlay.

Engraved brass dial with moon dial, seconds and date ring. Height 81".
Seaweed Marquetry
longcase clock
Simon DeChaumes, London
Seaweed marquetry signed Simon DeChaumes, London. Circa 1700.

Simon DeChaumes was one of a number of Hugeneuot craftsmen, whose talent boosted the standard of English clockmaking. He was made free of the clockmakers company in April 1691 and is recorded as working in London until at least 1704 at "his house, the sign of the clock, the corner of Warwick Street, Charing Cross". Height 86".
George Ist Eight Day Walnut Long Case
longcase clock
Fine George Ist eight day walnut long case signed John Mason, London. Attractive 12'' dial surrounded by wheatear engraving with central love birds.

The highly figured walnut case still retains it's original caddy while much of walnuts beauty is exemplified in the cross-grained moulding and extremely good dry colour.

Height to the top of the caddy 92".