Antique Clocks - Longcase (Grandfather Clocks)
Long case clocks or as they are known colloquially, grandfather clocks, were made in many different styles and regional fashions. Our stock of longcases tries to contain examples of these variations which were dependent on the period and location in which the grandfather clock was made. Early longcase cases clocks were often veneered in walnut or marquetry, which could contained many beautifully stained exotic woods. Mahogany became increasing used in the construction of longcase clocks from the 1740's onwards, the cabinetwork of the case evolving with the styles of contemporary furniture. Meanwhile country clock makers would often use indigenous oak for their 30 hour movements as well as their 8 day longcase clocks.

The dials of grandfather clocks also changed through the years with painted dials being introduced in the early 1770's. One aspect of the domestic longcase that changed very little in design strangely enough was the movement. Once the typical longcase mechanism was developed in the 1670's it remained remarkably the same for the next 150 years.

If the our selection longcase/grandfather does not appear to contain a specific type that you are looking for please call as not all the stock is placed on the site and if we do not have an example we can find it for you.
Eight Day Long Lacquer Long Case
longcase clock
Frank Smith
Eight day lacquer long case signed Frank
Smith, London, Circa 1740.
Quietly restored chinoiserie black lacquer
case depicting Oriental pastural scenes
and bird life. Full 12" brass dial with
strike/silent facility in the break arch.
Height 87" to the top of the central finial.
Eight Day Pine Long Case
longcase clock
Schilling, Wilton (Kent)
Eight day pine long case signed Schilling,
Wilton (Kent). Circa.
The pine case with faux bois graining is in
a remarkably pure condition. Painted
originally to look like oak with its distinctive
medullary rays the finish has lightened over
the past two hundred years but has never
been restored or tampered with in any
way. The 12" painted dial is also visually
very attractive, vibrant floral design
with a mother of pearl iridescence.
Original matching brass with fettled and
punch decoration.
Height 80"
George Ist Eight Day Walnut Long Case
longcase clock
John Mason
Fine George Ist eight day walnut long case
signed John Mason, London. Attractive 12''
dial surrounded by wheatear engraving with
central love birds.
The highly figured walnut case still retains
it's original caddy while much of walnuts
beauty is exemplified in the cross-grained
moulding and extremely good dry colour.

Height to the top of the caddy 92".

17th century London 30 hour
longcase clock
Thomas Johnson Rattcliff Cross
A London made pine case with the
proportions and elegance of the capital.
The case is in wonderful condition, the
original guilding still evident on the
columns. Showing signs of a previous
finish, the case has at an early date, been
scumbled in order to produce faux bois.
Thomas Johnson was a fine maker at
times working outside the constraints of
the City.
Seaweed Marquetry
longcase clock
Simon DeChaumes, London
Seaweed marquetry signed Simon
DeChaumes, London. Circa 1700.

Simon DeChaumes was one of a number of
Hugeneuot craftsmen, whose talent
boosted the standard of English
clockmaking. He was made free of the
clockmakers company in April 1691 and is
recorded as working in London until at
least 1704 at "his house, the sign of the
clock, the corner of Warwick Street,
Charing Cross". Height 86".
Eight Day Scottish Longcase
longcase clock
William Robb, Montrose
Eight day Scottish longcase signed
William Robb, Montrose. Circa 1780.
Beautiful mahogany case of superb colour
and proportions with tulip wood cross-
habanding and satin wood inlay.

Engraved brass dial with moon dial,
seconds and date ring. Height 81".
Dial of longcase clock
longcase clock
Stephen Bridges
Dial of wonderfully original thirty hour
longcase clock. The iron framed movement
is outstanding as is the single brass hand.
Although unsigned the pewter chapter ring
has the touch mark of Stephen Bridges
London (Cotterell No 572).